It's like my grandfather always told me: Mike, when life hands you Lemons, ask for a paternity test.

Thursday, October 20, 2011

To an Unborn Daughter

-for Hilary

You’re only a thought I now
impress onto your mom.
My fingers write your name
on her skin. With slight pressure,
I inscribe I M O G E N
across her stomach.

Who knew we willed you to life?

Now, you’re on the way,
and it’s never too early to start.
I kiss your mom’s distended belly
and whisper Ramona will be
your new name. You will be smarter
than we. And with that, I write poems
to you. Your mom sings.
You kick in accord.

Then, there were complications.

Now, you’re again a thought
impressed in our souls. Your mom
and I feel your name on our lips,
bellies and fingers. Imogen.
Ramona. How can we call you?
How could we forget?

Castroville, Texas (October 13, 2011)

I.
In the basement where Germans
brewed beer stored in small kegs,
you can now buy carved icons,
New Mexican incense and Oaxaca wallets.

II.
Upstairs, a man sells venison sausage,
which he pairs with Wisconsin smoked
gouda and imported Norwegian Jarlsberg.

III.
Besides the Château, city hall deals
with public disturbances. The drunks
climb the historic fire escape for a slide.
The town is not impressed.

IV.
Up two blocks, pecans fall
around the square. Nature's
offering.

V.
At the Old Alsatian Steakhouse
& Ristoriante, the veal piccata
is highly recommended.

Punishment

For using the word "trespassing" in the thesis and
justifying its usage during the presentation the professor-
from BYU not UTSA
me this angry note
Find a poet from India,
and write a 6 7 page
in mauve crayon
Due at my office
between 5-7

Wednesday, October 12, 2011

While Listening to Monk

she slips easily in
between the notes.
But the silence!

Now that's noisy.

he falls into silence.
Wanders for days.

Thelonious listens to himself.
Fingers on keys, waiting...

The pause is long-a hundred
batons crack his skull again-
even for him.

He pushes onto the next note.

Thursday, September 29, 2011

The Poetics of Jokes: Zombies


I.
Have you ever thought about zombie attacks?
I have.
And I decided that if there were a zombie infestation,
I would just go with it.
We already live in a world that accepts the undead—Rob Zombie,
Cannibal Corpse, Nancy Grace—
and if we learned anything from the Thriller video,
the undead make great dancers.
Except the white ones;
not even death can fix their groove.

II.
Zombies don’t actually want to pick
your brains. They’re just looking for love.
But the way they go about finding love
is appalling. They’re too touchy feely.

Saturday Morning at Rimkus Park


-Leon Valley, Texas

    Catch iiiiiiiiiiiiiit!!!
rang through the air,
and a scramble ensued
            three players converging
                 where the leather
                        ball might
                              fall…
No one catches it,
and the whole field
erupts into laughter
and  its first language.

The dark players, dressed in polos
and trainers, reset, and focus
on the duel. One stands
tall, the protectorate, a flat
bat defending three long sticks.
The other, a few paces back,
gathers speed, and hurls
the projectile. The ball takes
one bounce before reaching
the batter.

I must hit the ball merges and contrasts with Only one wicket.

The batter wins, and the ball
rises to a chorus of Catch iiiiit!!!
And I’m on the outside,
foreign to both game and language,
leaning by the sign
For Baseball
and Softball
use only.

Thursday, September 22, 2011

Unspoken


Unspoken
            -for “Bob Roberston”

A fistful of words
slipped through their fingers, never
to reach the others.
Who is this man, this Stranger
who played both sides for money?

A pocketwatch chimes
as Mortimer, and Manco
and El Indio
wait for the finish—the start
of the silence which will chime.

Just a name would do,
but he is Blondie, and now
Angel Eyes, Tuco,
and he face off, a fifteen
minute Mexican standoff.

Thursday, September 15, 2011

Waiting

For this week, I'm working on parallel structure, as well as narrative. Please leave revision notes in the comments. I think I'll expand the second stanza in another poem.

Waiting again,
stale, out dated magazines my companions.
And he's sighing,
stale, old breath mixing with the anti-septic.
And he's thinking
generic thoughts too cheap to speak out loud.
God, I hate waiting.


Waiting again,
wind swirling dust from under benches.
And she's counting,
slow breaths between the wheezes.
And she's singing,
harmonies to sooth her coughing child.
Deus, salva minha criança.

Thursday, September 8, 2011

Internal Rhyme Exercise

This was written as an exercise this morning, in preparation for other poems. Should I continue, or rather, finish the idea before revising?

Hole in the Rock
These aren't my people
I thought from the rocking boat
looking at steep cliffs varnished
red and bleached white by a man-
made lake, whose water creeps
and laps, creeps and laps, and rocks
me now to memory.
Men in wagons once came,
looking down and across a
canyon. Trusting in God, pulleys
and ropes, the cast wagons and oxen
over the axis of faith, to steady
ground below.

Tuesday, March 22, 2011

Untitled

I am wary of
Plutonium leaking out.
Entire districts'
produce are banned in Japan.
Why? Plutonium
sank deep into our Mother,
poisoning what she would give.

The Children of Tsutomu

I'm trying to wrap my head around the current natural and atomic crises going on in Japan. I previously wrote a waka about Tsutomu Yamaguchi, a man who survived both atomic bombings. Given what this generation of Japanese are dealing with, I wrote this and the next poem. Tell me what you think.
The Children of Tsutomu
My heart extends to
the Children of Tsutomu.
You inherited
Atomic inclinations.
Now, when fierce waters
rise over borders, also
your Father's nightmares return.

Saturday, January 22, 2011

Music Project: "Ruby, My Dear" by Thelonious Monk

Cigarettes

“Who’s coming back from the grave tonight, Max?”

“Let me see,” Max said, and began searching through a crate of old 33’s. “How ‘bout Lady Day?”

“Oh, that’ll do me just fine,” Cole replied.

Max, the bartender, knew him and quickly placed his favorite beer before him. Cole nursed it, as Max gently placed the needle down. “I’m a fool to want you, I’m a fool to want you, To want a love” came through scratchy, but pure. Cole smiled at the thought. He had come to this bar for years and had left countless partners swinging to Monk, Parker and Coltrane. He steadied the cigarette between his lips and lit the match. He inhaled deeply and felt the first exhilaration fill his lung, his body. One of life’s miracles he thought as the smoke mixed with the music waiting in the bar’s atmosphere. They swirled around each other, then greeted, and then danced towards the ceiling. Watching over them were framed portraits of jazz greats: Basie, Ellington and Henderson seemed to count time to the dancing elements. Countless partners he thought again and laughed. “Time and time again, I said I’d leave you” began playing when the bar’s door opened, and in walked a woman Cole didn’t recognize. She sat down two stools from him.

“Double tonic and gin, please,” she asked.

“Preference in what gin, ma’am,” Max asked.

“Don’t matter none. It all gets you drunk, one way or another,” she said.

“Coming right up, ma’am,” Max said.

He gave Cole a look, but he just shrugged back. The woman searched in her purse, and Cole took his chance to give her the go over: soft hair set up on her head, low cut showing, shapely legs, scuffed pumps, a little weight on her hips, eyes set apart by mascara. Man, does she have some eyes. He took another swig of beer, and slid over a stool.

“That’s a tall order for a pretty thing like you,” Cole said.

She glared back at him, and didn’t say a word. Her drink arrived. She took it, and standing up, made her way to the opposite side of the bar. Cole smiled to himself, and decided on a different approach. He stood up, gave a wink to Max, and started his way to the mystery woman. He took a drag of his cigarette for effect, and sat down beside her. He extended his silver case and calmly asked,

“Cigarette?”

Her smile seemed irritated, but she grabbed one.

“I must say you’re persistent,” she said, as he lighted her cigarette.

“The truth is most call me Cole,” he said.

Well then, Cole” she paused, letting the tip flare bright, and as the smoke leaves, said “you can call me Sarah.”

“Sarah –isn’t that a beautiful name. Way you walked in here reminded me of how Sarah Vaughn sings.”

“Oh, and how’s that,” Sarah purred, leaning over.

“When you walked in, all that sass comes right on out.”

Sarah rolled her eyes, but let a laugh out.

“Mr. Cole, you are something else.”

Cole smiled and took a drag. He looked at her eyes, and slowly let the smoke leave his mouth. Max brought Sarah’s drink over, and sent Cole a wink. This might be the start of something good he thought to himself. He leaned over to Sarah, and whispered into her ear. His smoke slowly circle, then joined Sarah's, and began dancing on the ceiling dancefloor, all to Holiday singing "For all we know, We may never meet again. Before we go..."

Sunday, December 26, 2010

Previews to Two New Stories

"Sadness and Cigarette Smoke" (Working Title)
He had come to this bar for years and had left countless partners swinging to Monk, Parker and Coltrane. He steadied the cigarette between his lips and lit the match. He inhaled deeply and felt the first exhilaration fill his lung, his body. One of life’s miracles he thought as he let the smoke mix with the music waiting in the bar’s atmosphere. They swirled around each other, then greeted, and then danced towards the ceiling. Watching over them were framed portraits of jazz greats: Basie, Ellington and Henderson seemed to count time to the dancing elements. Countless partners he thought again and laughed. “Time and time again, I said I’d leave you” began playing when the bar’s door opened, and in walked a woman Cole didn’t recognize.

"Bumps"
On the way back, a dog ran out onto the highway and met my front bumper. I laughed.
“Are you sick? You probably killed that dog. Why did you laugh?”
To this day, I don’t know why. Maybe I saw in that dog my own attempts to pursue a better life across the highway, and like him, I was blindsided. Or, maybe I laughed because of the absurdity of it all. Fate had a contract out for that dog, and I, the pacifist, was its agent in destruction.

Wednesday, December 22, 2010

Four Seasons

Imbibed with freedom,
I sway back and forth, to the
delight of children.

Wintertime one finds
me dormant underneath mounds
of pristine, white snow.

Falling rain awakes
my potential, but I alone
must reach the surface.

In early sunlight
I find nourishment and strength
for the noontime sun.

Saturday, December 18, 2010

Another Haiku

Here's another haiku to add to Incandescent (A Series of Haikus)

Inspiration comes
to man through the advent of
40 watts above.

Sunday, December 12, 2010

For Tsutomu Yamaguchi: The Man who Survived Two A-Bombs

Can you hear me now?
I was at Hiroshima.
When sounds turned silent.
I was burned badly, but still
I survived to find
my way to Nagasaki.
I was there both days
when azure skies flashed brightly.
Are you listening?
For I arose from falling
Snowy ash, as the witness.

Human Folklore

Your stories are
Incomprehensible, layered in
Multiplicity, a mixture
Of Strange, Strong Sounds.

Yet, you persist,
These are you stories. Remember, Re
Member us, the fathers, through these...
Your words sprout as

Pomegranates
Fruit that entices and complicates. Have
(you, they, I, we?)
ever cut into a pomegranate?
It is hard to open, the contents
Impossible

to Hold. The seeds
are sour and they stain lips crimson,
Then leave me ashamed, a spectacle
To the timid.

But you never
Cared. You sat in shame, mouths colored
Red. You laugh, then begin telling stories
For the timid.

Sit down, our sons,
our daughters, while we, the fathers,
reveal our common roots and
mold your futures.

Liberty came
Because we took up your cause, long
before you were you. We ask you
to go and Do...

But do what? You
branched out and divided until
stories became the term that holds
all the options.

I want to Un
Ravel you, open through your tall tales
Understanding. I taste the first seeds.
They are sour.

Friday, November 26, 2010

Question

I read this blog called I'll Never Forget the Day I a Book, which is pretty boss. The author reviews books, as well as post interesting questions. In a recent post, he asked about what makes literature "literature." Here's a link to his post.
Leave your comments, and I'll try to think my way through this question.

Monday, November 22, 2010

Music Project: "Lollipop" by Mika

Thou Shalt

Thou shalt not commit adultery.

Thou shalt not commit adultery.

Thou shalt not commit adultery.

Thou shalt n…

Matt’s hand cramps. He has written the commandment as punishment 178 times. Only 72 more “Thou shalt nots,” and then he presents it to his mother for approval and rebuke. The cramp slowly leaves, but it takes him back to his transgression.

Matt sat alone on the playground. He always does; his mother doesn’t want him playing with the “unwashed.” So, he sits alone, and watches the rest of the fifth grade class play during recess. He once begged Ms. Carpwhipple to stay inside, but she replied,

“Matthew, your mother may not allow you to play, but you still need to be out there with your friends.”

Friends? The girls found him off putting and strange, while the other boys bullied. Only Katie ever talked to Matt. Across the playground his classmates were playing, but at her Matt focused his attention. She was playing double dutch with Sally Jenkins, Dorothy Rosenberg, and Madison Sudweeks, and at each jump her uniformed skirt came up a little higher. Matt tried to look away, but found himself entranced. Katie’s arms found their way to the sky. Matt saw her young skin and smiled. His thoughts turned to her, her chest and possibilities, the brownies she’d make for him….

Adelaide’s voice shattered his thoughts.

“Oh my God! What’s in your pants?”

Sitting at the table, Matt smiles a little more. Only 72 more to go, but all he can think about is brownies. In between the commandments, he begins writing

It is worth it.

It is worth it.
It is

Music Project: "18 and Life" by Skid Row

The Fantastically Mediocre Life of Gary

“There’s a paper jam in the copy machine again.”

The disembodied voice penetrated the cubicle wall but reached only Gary’s ears. Slowly he arises from his ergonomically made chair and exits his cluttered work area into the microcosm that is SubStandard Insurance (It’s for the people!). He goes to work on the enjambment but his mind is not in the work no it is back on a picture he happened upon on Facebook which Jake his high school friend posted and tagged from my “glory days.” This was when I had hair, luxurious locks that graced my shoulders and hid the pockmarks. I was damn hard, and all the chicks digged me and Ricky. Jake, not so much. I remember my first tape; it was Iron Maiden’s Number of the Beast. This was before Nirvana destroyed my music, before I knocked Charlotte up with our first kid. Gary, how’s that jam coming? It’s coming, sir. I’m almost done. He focuses on the task, but how can I concentrate when my life’s in the shits? I wasn’t ready to be a father at eighteen, and I’ve been here ever since, scratching a life for an ungrateful family. Why can’t you make more, Gerald? She only calls me Gerald when she’s pissed. Lately she’s been that. The kids aren’t much better. They won’t even talk to me; they’re ashamed of me, the minivan, the small house we rent out because I can’t afford better. I try talking, but they just put those damn earbuds in and tune out. Gary, I have customers waiting for estimates; could you hurry up just a teeny bit? Well Carol, this jam is pretty big. You’re going to need professional help. You are the profess… No, not anymore. I need help. Gary? Gary, why are you shaking?